In the movie,
Fateful in terms of style for Audrey Hepburn was a meeting with French fashion designer Hubert de Givenchy. It was he who created the majority of screen costumes great actress. Including - and the legendary little black dress that Audrey starred in the film "Breakfast at Tiffany's." A portrait of her in this dress - dress-case, with bare shoulders, long black gloves and a pearl necklace around his neck - went through all the fashion magazines in the world and has become one of the most publicized images. In 2006, this dress has sold more than 70 thousand pounds, all the money went to charity, which Audrey Hepburn actively engaged as a UNICEF Goodwill Ambassador. Another lucky find Givenchy dresses became Princess Anne in "Roman Holiday." By the way, his dress, made for Audrey differed emphasized simple and easy to cut and lack of decorations that the actress did not like.
In life
Givenchy designer, famous for the fact that first coined the term "pre-à-porter", that is the fashion for every day, became the personal dresser Miss Hepburn not only in the movies, but also in everyday life. Audrey often wore his dress: they emphasized the undoubted merits of her figure and hide minor flaws. So, the actress who embarrassed their lifetime protruding clavicles and a small "ballet" chest, preferred styles with a wide collar or collar with a longitudinal cut-boat, no cleavage. The most popular models during Hepburn was a dress-cases with a high waist, a close-fitting summer dresses, sundresses with a long full skirt. She wore both of them, choosing quiet pastel shades, not bright pink or black.
At the wedding
The actress has been married twice. The first marriage, to actor Mel Ferrer, Audrey sewed a dress for the best Italian masters. It was very easy for a style, but at the same time elegant wedding dress: tight-fitting top with covered shoulders, unadorned and with your favorite bride-boat neckline and lush ballet skirt with low waist, in memory of a failed career of a ballerina. Second wedding, with the Italian doctor Andrea Dotti, held more modestly. Hepburn chose a tight white dress above the knee length, with long sleeves and collar, with a belt, has consistently emphasized its 50-cm waist. All finishes were a few buttons of a cut figure and cuffs. On his head instead of a veil was Audrey scarf, generated a wave of imitators.