Incredibly gallant German King Schultz (Christoph Waltz) travels to the southern lands on the eve of the US Civil War of the 1860s. On the roof of his wagon friendly and foolishly rocking fake tooth on a spring. Without ceasing to be extremely polite, even during a bloody shootout, Schultz buys dead horse owner oppressed black slave Django (Jamie Foxx). Hiding behind his medical past, is a German bounty hunter white criminals. Without taking slavery as such, Schulz takes Jango to his free companions, not as slaves, teaches him to read the leaflet «WANTED! "And shoot the snowmen. And he and I'm glad to shoot white. But all is not rosy. In captivity at Jango survived by his wife Brumhilda. Its owner is American Francophile "Sir M. Candy" (Leonardo DiCaprio), and to whom to go with a sly mission Django and now his friend Schultz.
"Django liberation" - on the one hand, it is not politically correct film where the word "nigger" sounds almost every half a minute, where to feel the freedom of choice servant wears a shiny blue suit with a bow, where black humor, not only because it is about the tragic and because they themselves hard black joke over other black. Even black director Spike Lee in absentia announced boycott this film, as soon as he learned that Tarantino is going to make a film about a similar in essence to the Holocaust slavery in the United States in non-serious genre of spaghetti westerns. Yet Quentin from nature is not peculiar to dramatize the past. His approach in this case is simple - it was, it was, so why not look at the story from a different angle.
In "Django" does not stop the horrors of that time. Of course, Tarantino could not resist and showed a close-up scenes of slaves. But on the screen, it looks like a fleeting tour: on the left you can see how whipped fugitive, right - like a dog bite human flesh, and now you will see the main attraction. And in the center is the star of all this tent - the director himself, who skillfully juggles two balls of all: good and evil. And if in all his previous filmography Tarantino made from these ingredients incendiary mixture of "Django" he spread these concepts at the corners. Each character director charged either positively or negatively. And then good is not always on the flank of the oppressed. But the merrier. One character Samuel L. Jackson is worth - a real fiend!
Tarantino himself has denied that "Django liberation" - it's a comedy. "It is more cruel adventure story," - says the director. In fierce no doubt. But as always, the river ketchup, shots, from which the victim of inertia if sucked into the next room a supermassive black hole, and artistically spattered blood on cotton flowers give the viewer a knowing smirk. Good old Quentin, as always, we understand your ironic mockery.
Despite the denial of the director, "Django" - it's still a real runaway comedy. It is devoid of the total mass of flat brim full of gags and witty dialogues prescribed, which, of course, played charmingly actor pets Tarantino. And even with Russian dubbing the film looks quite bearable. Literally hear the voice catches the buzz from it all verbal burlesque.
As if to confuse ordinary role each other refined DiCaprio and ruthless Waltz seems to have been not averse to change places for "Django". However, Waltz, nominated for everything that is possible, in this year, and has to get the "Golden Globe", no doubt, proves that a talented person is talented in everything.
Another question that he Jango somehow turns boring everyone else in the film. Although the positive hero-lover never really been in good standing with Tarantino. That is why he, probably, and threatens to amputate his main weapon of love. But the genre commits to another.
It's amazing, but for all that follows instructions Tarantino spaghetti westerns, as a diligent student, "Django liberated" at the same time in the best traditions of his writing style. The film is full of ironic allusions and take this opportunity to convey more Hello everyone cinema. For this we like Tarantino. And damn nice that he continues to be himself, despite the snobbish grunts like "Quentin, take off already in some other way."